Its jarring solo and poly unison modes produced massive lead and bass sounds, and it was one of the first synths to feature the then-new MIDI protocol. This versatile filter design delivered a more aggressive sound than previous Jupiters, making the Jupiter-6 a natural fit for cutting-edge techno and electro styles.Īlthough this was a “hidden feature”, the Jupiter-6’s VCOs supported multiple simultaneous waveforms, and two LFOs and a cross-mode oscillator provided extensive modulation capabilities. Unlike previous Roland polysynths with low-pass filters and a rudimentary non-resonant high-pass filter, Jupiter-6 had a true multi-mode filter with 24 dB/oct low-pass, 24 dB/oct high-pass, or 12 dB/oct band-pass filter modes. Despite the superficial similarity and feature set, Jupiter-6 differed from Jupiter-8 in its sound and capabilities. Released in 1983 as a more affordable alternative to the flagship eight-voice Jupiter-8, the six-voice Jupiter-6 nonetheless held an important place in analog polysynth history.The Mercury-6 captures everything that is exceptional about this intimate polyphonic classic, expanding its extraordinary feature set for modern production and DAW workflows, and celebrating the groundbreaking innovations of an era that changed music forever. It has become one of Roland’s most notable and coveted classic synths these days, thanks to its distinctive dark and complex nature. The Mercury-6 is a meticulous recreation of the Jupiter-6 analog synthesizer, just in time for its 40th anniversary! Sitting between the early Jupiter-4 and Jupiter-8 models in name only, the refined Jupiter-6 was sometimes considered a “sleeper” release.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |